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Berlin calling

A cheap plane ticket purchased on a whim resulted in me attending Berlin’s recent “Gallery Weekend” (and the May 1 ‘riots’ party). As I have not really been to Berlin in years, it gave me a lot to...

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Meanwhile, in South Korea

While North Korean art is making a bid for attention in Vienna, in South Korea, where I just spent a week at the UNESCO World Conference on Arts Education, the art world is showing remarkable vigor....

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“Curator” R.I.P.

“Behold our fall collection,” trumpets the mail order catalog of Restoration Hardware, the home interiors chain. “No longer mere ‘retailers’ of home furnishings, we are now ‘curators’ of the best...

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Three cheers for creative enterprise

It was the kind of scene teenagers dream about experiencing one day, after they’ve gone to college and moved to the Big City. A rambunctious, casually hip crowd spilled onto the sidewalk last night at...

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The Appeal of SEVEN

Back in 2006, in an article titled “A storm of art as Baselmania engulfs Miami,” New York Times art critic Roberta Smith predicted that Art fairs will continue to flourish until the bottom falls out of...

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Miami debrief

The results are in, and it was a good year in Miami. Smiles were seen on dealers’ faces at every category of fair. Here’s a distillation of the general consensus. Art Basel: Large work. High prices....

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Museums 2.0

Adam Levine writes: Amidst the glamour of Art Basel, earlier this month, one panel in the “Conversations” series—moderated by AWS’s Andras Szanto, as it happens—stood out in its attempt to tackle a...

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The Girl With the Art Magazine

Yesterday was a good day for art journalism. Lindsay Pollock was named editor of the Art in America, opening the way for the rejuvenation of one of our most venerable magazine brands. Like that other...

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The season that was

Looking back over the season that just passed, consolidation is the word that best describes the dynamics of the art world now. Large entities are getting larger; smaller ones are still squeezed or...

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Are we booming yet?

Sarah Thornton in The Economist magazine recently described the art market as a bubble bath – an apt metaphor for a market made up of a myriad distinct markets for individual artists, each one...

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